David Reads His Poetry

SPOOKY ACTION

DAVID ALPAUGH

Book: Counterpoint

Book: Heavy Lifting

ESSAYS

Professionalization

On Poetry Contests

New Math of Poetry

Poetry and Song

Götterdammërung

Wheelbarrow Today



WORD GALAXY PRESS 
—An imprint of Able Muse Press—
is pleased to announce the publication of

Spooky Action at a Distance
                      
double-title poems by

DAVID ALPAUGH

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“Five years ago, as I 
wrote the final word,  
for, in a poem titled
Against—it so spoke
to that title, I thought
it deserved to be a title 
in its own right. That’s
how the double-title
poem was born.

Rules developed 
since are designed 
to give older forms 
like the sonnet and
villanelle a run for
their relevance in 
the quantum world
we now inhabit.

My book contains 
79 of more than 
100 double-titles 
that have appeared 
in poetry journals
since the first six
debuted in Mudlark
in 2016. I hope they
demonstrate the 
suppleness of the 
double-title for just 
about any mood,
voice, meditation,
narrative, emotion, 
serious, humorous,
even light—and that
they tempt other 
poets to explore this 
contemporary form.”

—David Alpaugh—

A New Fixed Form for our Unhinged Age . . .
Spooky Action at a Distance—a collection of 79 double-title poems—includes irreverent, insightful commentary on subjects both current and timeless. The poetic form is Alpaugh's invention. Masterfully versified with taut control of form and content, on topics ranging from the high precision of science and mathematics to the vagaries and subjectivity of art, this unique collection contains a endless supply of wit, witticism, wonders, and revelations.

Praise for Spooky Action . . .

“I can’t count how many times I laughed out loud while reading David Alpaugh’s Spooky Action at a Distance. Alpaugh’s wit is so original, so outlandish, so outrageous, that at first it’s hard to believe he’s pulling off one after another of these double-title poems, a form he invented and one that could not be better suited to his brilliant, iconoclastic mind. From childhood to history to mythology to politics to literature and back, Alpaugh takes us on a magical mystery tour through a universe of his own making. If you want delight informed by wisdom, humor laced with sharply observed social commentary, and entry into a world you never thought could exist, all you have to do is open this astonishingly inventive book.” 

—Lynne Knight, author of The Persistence of Longing.               

“Alpaugh’s wit—in the old high metaphysical sense of that word—is the primary source of his power and virtue. He is an insatiably curious man who somehow manages to get everything into his poems. In Spooky Action at a Distance, Alpaugh is all about serious play and endlessly capable of surprise. Tracking the moves he makes connecting double-title after double-title is its own reward, a pleasure so pure as not to be missed.”

—William Slaughter, editor, Mudlark.                                                  

“David Alpaugh’s Spooky Action at a Distance offers readers a cornucopia of delights, complications, and some truly moving insights—all in an intriguing new form of his own invention. Alpaugh’s double-title form shows how two titles can be separate, like two photons miles apart, yet “entangled” in meaning and intent. Alpaugh is an excellent poetic space travel guide. This collection reminds me of the language used to describe properties of quarks—strangeness and charm.  Alpaugh’s poems are structured, but still filled with plenty of actual strangeness and charm. And one need not enter a particle accelerator to discover these surprises. Just get this book!” 

—Kathleen Lynch, author of Lucky Witness                                                                               


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Poets: check out Spooky Action,
then try a double-title of your own:

Double-titles have two five-line stanzas. Titles are limited to one word each. The first reads into the poem or announces its opening motif. The first word in stanza two is identical to the first title and is italicized. At least one word in the last two lines rhymes with the exit title. Poems may be metrical or open. If open, lines should be as even in length as possible. End rhyme is to be avoided, but internal rhyme is welcome. Punctuation is inventive, with use of the Emily Dickinson dash to create pauses and disconnects. The double-title respects both locality and spooky action at a distance.  By treating language as both particle and wave it offers poets the aesthetic pleasures of both fixed and open form.








Paperback & Kindle versions
available at Amazon & other
booksellers.


Click on cover to order



WORD GALAXY PRESS
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